Bringing scripts to Life - The True Art of Authentic Voiceovers

 

Over the years in my voiceover work, I’ve learnt that it’s about bringing words to life with intention and nuance. Why? Because people connect to people. Knowing how to make a message resonate, isn’t a skill everyone automatically exhibits. For most it is something you train. The goal is to connect deeply, knowing your delivery won’t reach everyone but striving to leave an impact where it should.

Recently, I had a moment that reinforced this. I was at an airport in NYC, soaking up the city’s feel. I went into most stores with all the NYC hats, mugs, pens, pins etc. This came at the end of spending a few weeks in the States, so I was able to really soak in the atmosphere. Two days after my arrival back home, I received a script for a radio commercial that mentioned a trip to New York. Thought are things I suppose. Being able to recall the energy I felt in the US and in the stores at the airport, really helped to shape my recording and make it sound exciting. The client loved it.

That for me is the power of genuine connection.

I could feel the spirit of the car itself, smootH, powerful and always controlled

One of the most memorable projects I worked on was a voiceover for the launch of the Aspark Owl, one of the world’s fastest electric cars. You can see the video on my home page. The client wanted a tone that was mysterious and quietly powerful, qualities that would resonate with the high-profile audience at an elite exhibition in the Middle East. And since the script was in English, not my native Dutch, I knew preparation would be key to making sure I got the nuances right.

To capture that calm, almost mesmerising effect that draws you closer to the screen, I recorded the script late at night, when the quiet helped me get into that mood. I remember I literally noticed how quiet it was outside whilst I was in my booth. It was just ‘dead quiet’. During the day that feels different for some reason. I could feel the spirit of the car itself, smooth, powerful and always controlled. It was one of those moments where the voiceover resonated deeply within me, and it translated perfectly into the final product.

A few months later, at the Voice Arts Awards, the Aspark Owl video was nominated in the category of Outstanding National Commercial Campaign – Best Voiceover. I was flabbergasted! This nomination was a huge honour, even more so because it was in my second language. It reminded me of the importance of creating the right environment to bring out authenticity in my reads.

Of course, not every script is naturally captivating. Sometimes, the material doesn’t sparkle as the one with the Owl, but that is where my job becomes a bit like detective work. In these cases, I dive into the topic, watching videos, researching and trying to find that connection. This is not a day job, but essential nevertheless, because ultimately, my goal is to be the person who knows about it and is able to deliver the read with confidence and clarity.

a voice actor’s job is to bring colour to the script, to paint the picture


For me, voice acting is all about stepping into someone else’s shoes. Every job means putting the client’s needs front and centre, remembering that they’ve chosen me for a reason. They believe in their product, and they trust me to bring it to life with an authentic, quality read. That’s what I have been trained for and what a client pays for.

Sometimes this turns into a fun collaborative process with the client when I try to find the right nuances they are aiming for. Ultimately, a voice actor’s job is to bring colour and depth to the script, to paint the picture, so to speak. (Maybe it’s fitting that my name is Vermeer, after all!)

Providing voiceovers is about so much more than just reading a text. It’s about interpretation, about giving the client’s message the clarity and connection it deserves.

For anyone starting out in voiceover, my biggest advice is to listen and learn. Take time to study how other voice artists deliver their reads. Then ask yourself why. Why this tone here? Why go lower there? Dissecting these choices gives insight into what makes a read work.

But here’s the key: don’t copy anyone. That saves you a huge amount of time having to unlearn all of that. Sound editors have specific ears and spot it a mile away when something doesn’t sound like ‘you’.

Most of all… enjoy the journey! Yes, it takes time, effort and plenty of practice to deliver a brilliant read consistently, but with determination and a willingness to learn, it is possible. Be yourself, keep refining and have fun along the way.

 
Melvin Vermeer